For filmmakers, producers and series creators

I’m Shot. I take your film from idea to premiere.

Screenplays, storyboards, generated shots, editing, sound and premiere material. I prepare each stage and you approve it before the next one begins. The story and the authorship stay yours.

  • You approve every stage
  • AI-made material is labeled
  • English and Spanish

Illustrative frame · AI-generated imageSample film

From idea to premiere

Four stages of your film, one place to direct them.

Each stage has its own panel in your account: you open it, review what is ready and decide what comes next.

  1. 01Develop and planTreatment, screenplay, pitch deck, breakdown, budget and call sheets.
  2. 02Storyboard and shotsStoryboard, animatic, camera previs, generated shots, sets, effects and characters.
  3. 03Cut, sound and deliveryEditing, titles, subtitles, dubbing, score, restoration and masters.
  4. 04Premiere and festivalsPoster, press kit, website, teaser, festival kit and release report.

Each plan includes a set of these pieces every month: compare the three plans. Every service can also be ordered on its own: 20 at a fixed price and 12 with a quote first.

01 · Develop and plan

I turn your idea into pages you can pitch and shoot.

A treatment, a screenplay in industry format or a pitch deck for funds and producers. Then the breakdown, budget and call sheets your crew works from.

  • Authorship in your name. A feature is written in deliveries, with the same character bible.
  • Adapting someone else’s work? Its adaptation rights come first.
  • Planning, not logistics. Third-party rates and times are flagged for you to confirm.

Illustrative example · choose a step

Project · new shortIllustrative example

You · voice noteA woman waits on a cliff for someone who promised to come back with the tide. A 10-minute short, melancholic.

  • Short film
  • Dramatic
  • Scope 2.39:1
  • Spanish

I’ll draft a treatment of up to 10 pages. You read it before the screenplay starts.

The Tide · Treatment · v1Illustrative example

A lighthouse keeper’s daughter waits for a promise the sea has already broken.

  1. Act IMara receives a letter and climbs to the cliff every dusk.
  2. Act IIThe village moves on; she keeps the lighthouse lit one more night.
  3. Act IIIShe lets the letter go, and the light finally goes out.

The Tide · Screenplay · draft 23.

EXT. CLIFF ABOVE THE SEA – DUSK

Wind tears at the grass. MARA (30s), red coat, stands at the edge with a letter in her hand.

MARA

(quietly)

He said he’d come back with the tide.

She lets the letter go. It climbs, then vanishes into the light.

Approved · v3Authorship: you

Illustrative example

Fictional film and text, written as an example.

Services in this stage

Fixed price or quote first

DevelopmentFrom the first idea to pages you can pitch.3 options · from $99 USD
Production planningTurn the script into scenes, costs, shoot days and permissions.5 options · from $49 USD

02 · Storyboard and shots

Every shot drawn before anything is produced.

Frames with framing, action and continuity, then the animatic to approve the pacing. Once the boards are approved, the shots, sets and effects follow the same plan.

  • Approve before production. You check each frame before a second is generated.
  • Characters stay the same. A continuity sheet anchors every shot; a real person’s likeness needs their consent.
  • Changes go shot by shot. Only the frame you mark is adjusted.

Illustrative example · choose a step

Illustrative frames made from AI-generated images. Generated material is labeled.

03 · Cut, sound and delivery

Review the cut and mark the exact second.

Your footage or the approved scenes, edited with titles, subtitles, voices and music. You watch each version, leave a note on the second it applies to and approve the master.

  • Notes on the second. Only the shot you mark is adjusted.
  • Your timeline, when the format allows it. You keep the editable project.
  • One master per destination, with its codec, loudness and checklist.

Illustrative example · choose a step

Illustrative screen with a fictional film.

Services in this stage

Fixed price or quote first

Editing and finishingFrom your footage or approved scenes to a finished cut.4 options · from $79 USD
Sound and languagesSubtitles, voices, music and clean audio.4 options · from $49 USD
Delivery and archiveThe files each destination asks for, in order.3 options · from $79 USD

04 · Premiere and festivals

Poster, teaser and festival kit, ready to show your film.

Key art and a press kit with your film’s real credits, a website with trailer and press, a 15-second teaser with its calendar, and what a festival asks for.

  • Nothing is published without your approval. Paid media is budgeted separately.
  • Festivals decide. Fees, submission and selection depend on each one.
  • The domain and the material are yours.

Illustrative example · choose a step

  • Festival kit · one festivalSynopsis and logline
  • Stills and poster
  • Press kit · 10 pages
  • Subtitled screener
  • Fee and submission · you approve

Illustrative example with AI-generated images and a fictional film. It does not represent a real release or selection.

How it works

You decide at every stage. I prepare the next one.

Tell Shot what you want by voice, text or files. You receive a proposal with its scope and price, approve each stage inside your project and find every delivery in its panel.

Shot, a film director with a cap and a clapperboard

Tell me the idea, the length and the tone. I’ll prepare the first stage for you to approve.

  • “Turn my idea into a ten-minute short.”Treatment, storyboard and animatic, approved one stage at a time.
  • “Edit what we shot last weekend.”A five-minute cut from your footage, with notes on the exact second.
  • “Get us ready for the festival.”Poster, press kit, teaser and the submission checklist.

Illustrative walkthrough · choose a step

Illustrative walkthrough with a fictional film. The prices shown are the catalog prices.

  • Your authorshipScripts and films are written in your name; the material you bring stays yours.
  • Consent for real peopleA real person’s face or voice is used only with their permission.
  • Licensed music and assetsScore, voices and 3D assets come with a licence for their use.
  • AI, labeledMaterial made with AI is identified, and you approve it before it is shown.

Plans

Plans for each stage of your film.

Monthly, in US dollars. Frame, Cut and Premiere grow with your project; anything outside your plan can be ordered on its own.

Frame

To develop an idea and see its first scene.

$99USD / month

  • Treatment of up to 10 pages
  • 10-frame storyboard
Choose Frame

Premiere

To finish a short and get it ready to show.

$799USD / month

  • 20-page screenplay
  • 20-frame storyboard
  • 60-second short
  • 3 format versions of the short
Choose Premiere

Plan inclusions renew every month and don’t roll over; pieces bought separately keep their balance. Paid media, festival fees, domains and third-party rates are confirmed before work starts. See every service and price.

Pieces on their own20 services at a fixed price in USD and 12 with a quote first, when the price depends on your material, licences or level of detail.
Credits for extrasOptional, for custom requests outside your plan. You see the cost and approve it before production; top-ups are bought in your account and never expire.

Before you decide

Frequently asked questions

Who owns the film?
You do. Scripts and films are made with your idea and in your name, and the material you bring stays yours. Adapting someone else’s work requires its adaptation rights.
Can a real actor’s face or voice be used?
Only with that person’s consent. A character based on a real person needs their permission, and no one is imitated without it.
Is AI used?
Yes, in images, shots, voices and other pieces. Material made with AI is labeled, and you approve each stage before it moves on.
What does “quote first” mean?
Some services depend on your material, licences or level of detail, such as 3D sets, visual effects, dubbing, score or restoration. You receive the scope and price before work starts, and nothing is charged without your approval.
Can you guarantee a festival selection or a release?
No. We prepare the materials and the checklist; fees, submission and selection depend on each festival, and audiences depend on many factors outside our control.
Do I need my own software or equipment?
No. Production tools are part of the service. For a physical shoot, the logistics and crew remain yours; Shot plans and organizes.
Does what I don’t use roll over?
Plan inclusions renew every month and don’t roll over. Pieces bought separately keep their balance, and credit top-ups never expire.
A feature, a series or several episodes?
You can request a scope for the whole project, written and produced in deliveries. Tell us about it.

Your turn

Tell us about your film.

Choose a plan or a piece directly. For a custom scope, tell us the result you need and receive a proposal before anything starts.

  1. 1Tell us about your project.
  2. 2You receive the scope and the price.
  3. 3You approve; Shot prepares the first stage.

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